Brad Pitt as Sonny Hayes in Apple Original Films’ F1 The Movie, premiering December 12, 2025, on Apple TV.
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‘F1: The Movie’ Review: Brad Pitt Takes Pole Position in a Thrilling Formula 1 Blockbuster

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We haven’t been thrilled like we did when ‘Top Gun: Maverick’ arrived back in 2022, now with Formula 1? Gosh, where would it begin? Many Formula 1 fans have long imagined what it would be like if Hollywood took on the world’s fastest sport, and this is more than just cars and crashes, but the pressure, the personalities, the unique atmosphere that sets Grand Prix apart from anything else in motorsport. With Brad Pitt starring, Lewis Hamilton guiding the project, and Joseph Kosinski, the director of ‘Top Gun: Maverick,’ leading the way, ‘F1: The Movie’ arrived with plenty of hype and even bigger expectations.

And the good news is that the film lives up to the hype!

From the very opening of the film, ‘F1: The Movie’ throws you into the action of the 24 Hours of Daytona sports-car endurance race. The racing scenes are fast, loud, and filmed to make you feel like you’re sitting inches above the tarmac rather than watching from a cinema seat. Kosinski brings the same eye for large-scale action that made ‘Top Gun: Maverick’ a crowd-pleaser, but the film isn’t carried by speed alone. Behind the wheel is a story about second chances, trust, and the challenge of bringing a struggling team back into contention.

The film succeeds because it gets that Formula 1 is really a team sport. Every driver relies on the people supporting them, and every outcome depends on many choices made behind the scenes. With all the racing, rivalries, and relationships inside the APXGP garage, ‘F1: The Movie’ gives viewers a lot to care about.

Lights Out and Away We Go

As the lights come on, twenty drivers get ready for the perfect start, and in just a few seconds, everything can change. The film does a great job of capturing that feeling.  The story starts with Sonny Hayes, a former racing prodigy whose F1 career ended years ago after a serious accident. After years away from the spotlight, Hayes is invited back by his friend and old rival, Ruben Cervantes, who owns the struggling APXGP team. With the team stuck at the back of the pack and running out of time, Hayes is brought in as a last hope to turn things around.

Waiting for him is Joshua Pearce, APXGP’s young star driver. Pearce is fast, ambitious, and eager to prove himself, but he doesn’t want advice from a veteran who thinks about racing in a different way. Their conflict is a big part of the movie, creating tension both on the track and in the garage. Technical director Kate McKenna and the rest of the APXGP team must keep everyone focused as these two strong personalities compete for the same goal.

Brad Pitt slips into the role of Sonny Hayes, playing the experienced racer with a natural calm confidence. More importantly, the racing scenes feel more real, given that Pitt spent months training to drive and covered thousands of miles in real race cars before filming began. Kerry Condon also deserves credit for adding warmth and heart to the story, ensuring the challenges matter just as much off the track as on it.

Beyond the racing, ‘F1: The Movie’ looks at second chances, trust, and what it takes to succeed when the odds are against you. These ideas have always been part of Formula 1, which is why they fit so well here. The film is also helped by real Formula 1 drivers and well-known paddock figures who appear as themselves throughout the story. Their presence doesn’t feel like a trick; it just makes the world of F1 feel more real and believable from start to finish.

Brad Pitt as Sonny Hayes in Apple Original Films’ F1 The Movie, premiering December 12, 2025, on Apple TV.
Brad Pitt as Sonny Hayes in Apple Original Films’ F1 The Movie, premiering December 12, 2025, on Apple TV. | Image: Apple TV

A Pole Position Performance from Brad Pitt

Brad Pitt has played all kinds of roles, from outlaws and stuntmen to astronauts and soldiers, but Sonny Hayes might be his most likable character in a long time. As a veteran driver making a comeback in Formula 1, Pitt gives Sonny a natural charm that makes you want to cheer for him right away. Hayes shows the marks of a career that never quite reached its peak, but Pitt doesn’t let him become a stereotype. He mixes confidence, humour, stubbornness, and vulnerability, so Sonny feels like a real person instead of just another Hollywood hero. It’s no wonder Pitt felt such a strong connection to the project, calling F1: The Movie “one of the most extraordinary experiences” of his career.

He spent months getting ready for the film and drove thousands of miles in race cars before filming began. You can see that dedication every time he’s behind the wheel. Whether he’s racing at top speed or trading quick lines in the garage, Pitt fits right into the Formula 1 world. Even at 61, he has the presence to own every scene, and F1: The Movie shows that few actors can lead a blockbuster like Brad Pitt.

While filming at the Yas Marina Circuit in Abu Dhabi, Pitt talked with F1 TV’s Will Buxton about his long-time love of motorsport and how the movie finally happened. Racing has been important to him for decades, long before he started working on F1. Thinking back on where it all started, Pitt said, “I’ve always loved racing. I grew up with Jackie Stewart, and some of my earliest memories. In the ’90s, I really got heavily into MotoGP. Then I started veering into F1, and here we are.” You can see that passion throughout the film, and it helps make Sonny Hayes feel like more than just a character on the page.

Pitt revealed that he had spent nearly two decades trying to get a racing project off the ground before finally finding the right story. “I’ve been trying to get a racing movie done for 20 years. I’ve tried bikes, I’ve tried cars, I’ve tried different disciplines, and for whatever reason, they never came to fruition,” he said. Looking at the finished product, it’s hard not to feel that the wait was worth it. Few actors could have carried this role with the same mix of confidence, charisma, and genuine enthusiasm for the sport.

Director and producer Joseph Kosinski on the set of Apple Original Films’ “F1 The Movie,” premiering December 12, 2025 on Apple TV.
Director and producer Joseph Kosinski on the set of Apple Original Films’ “F1 The Movie,” premiering December 12, 2025 on Apple TV. | Image: Apple TV

Running Full Throttle from Start to Finish

The director, who previously put audiences inside fighter jets with ‘Top Gun: Maverick’, uses that same immersive style for Formula 1, and the results are amazing. Working with famous producer Jerry Bruckheimer, seven-time Formula 1 World Champion Lewis Hamilton, and Pitt himself, Kosinski has made a film that rarely feels like you’re just watching from the sidelines. Instead, you’re thrown right into the middle of the action as Sonny Hayes returns to the sport to help save the struggling APXGP team while dealing with a tense partnership with rising star Joshua Pearce.

As with any great racing movie, the action on the track is what keeps the engine running, and F1: The Movie excels in that department. Rather than filling the screen with CGI race cars, Kosinski and his team filmed during real Formula 1 weekends, putting their fictional team alongside the biggest names in racing. Cameras went to famous tracks like Silverstone, Monza, Suzuka, Las Vegas, and Yas Marina, giving the film a level of realism that could not have been created on a studio set. Hamilton’s influence is clear throughout the production. Besides being a producer, he worked closely with the filmmakers and called the project “as authentic as a racing movie has ever been.”

What’s even more impressive is how the film was made. Filming during live Formula 1 events meant the crew had to work around a schedule that wasn’t made for movies. Often, they didn’t have hours to perfect a scene. They had minutes. Kosinski has talked about the challenge of working within those tight time frames, where the cast and crew often had only a few chances to get a shot before the real racing started again. That pressure shows on screen. The full grandstands, the engine noise, the busy atmosphere in the paddock, and the feeling of cars racing through corners at amazing speeds all feel real because much of it was filmed during the actual events, giving the racing film a sense of slowdown and excitement that Formula 1 deserves.

A scene from Apple Original Films’ “F1 The Movie,” premiering December 12, 2025, on Apple TV.
A scene from Apple Original Films’ “F1 The Movie,” premiering December 12, 2025, on Apple TV. | Image: Apple TV

Taking the Chequered Flag

By the time ‘F1: The Movie’ finishes, it has done something few sports films manage: please longtime fans while still being easy for newcomers to enjoy. The racing scenes are amazing, Brad Pitt gives one of his most fun performances in years, and Joseph Kosinski once again shows he knows how to put audiences right in the middle of the action. Building on the camera work that made ‘Top Gun: Maverick’ such a big hit, Kosinski goes even further here, using new cockpit shots, dramatic 180-degree camera flips, and exciting angles that make viewers feel like they are sitting in the car with the drivers. The first half of the film is especially strong, setting a strong pace and building excitement for the races that follow.

No movie is perfect, and ‘F1: The Movie’ does slow down a bit during some of the quieter moments between races, where the drama off the track doesn’t always match the excitement on it. Still, these small flaws are easy to ignore when the racing scenes are this good. Brad Pitt, Lewis Hamilton, Jerry Bruckheimer, and Joseph Kosinski have made one of the most entertaining sports films in recent years—one that feels made for premium formats like IMAX. Whether you are a lifelong Formula 1 fan or just someone who enjoys a great blockbuster, F1: The Movie is worth the ticket price and easily earns a spot among the best movie experiences of the year.

IMDb: 7.6 | Tomatometer: 82% | Popcornmeter: 97% | Average: 85

★★★★☆

Brad Pitt as Sonny Hayes in Apple Original Films’ F1 The Movie, premiering December 12, 2025, on Apple TV.
Brad Pitt as Sonny Hayes in Apple Original Films’ F1 The Movie, premiering December 12, 2025, on Apple TV. | Image: Apple TV
Javier Bardem as Ruben Cervantes in Apple Original Films’ “F1 The Movie,” premiering December 12, 2025 on Apple TV. | Image: Apple TV
A scene from Apple Original Films’ “F1 The Movie,” premiering December 12, 2025 on Apple TV. | Image: Apple TV
Brad Pitt as Sonny Hayes, and Damson Idris as Joshua Pearce in Apple Original Films’ F1 The Movie, premiering December 12, 2025, on Apple TV. | Image: Apple
Damson Idris as Joshua Pearce in Apple Original Films’ "F1 The Movie" premiering December 12, 2025, on Apple TV.
Damson Idris as Joshua Pearce in Apple Original Films’ “F1 The Movie” premiering December 12, 2025, on Apple TV. | Image: Apple TV
Damson Idris as Joshua Pearce in Apple Original Films’ "F1 The Movie" premiering December 12, 2025, on Apple TV.
Damson Idris as Joshua Pearce in Apple Original Films’ “F1 The Movie” premiering December 12, 2025, on Apple TV. | Image: Apple TV
Brad Pitt as Sonny Hayes in Apple Original Films’ F1 The Movie, premiering December 12, 2025, on Apple TV. | Image: Apple
Brad Pitt as Sonny Hayes in Apple Original Films’ F1 The Movie, premiering December 12, 2025, on Apple TV. | Image: Apple
Brad Pitt as Sonny Hayes in Apple Original Films’ F1 The Movie, premiering December 12, 2025, on Apple TV.
Brad Pitt as Sonny Hayes in Apple Original Films’ F1 The Movie, premiering December 12, 2025, on Apple TV. | Image: Apple
Brad Pitt as Sonny Hayes in Apple Original Films’ F1 The Movie, premiering December 12, 2025, on Apple TV.
Brad Pitt as Sonny Hayes in Apple Original Films’ F1 The Movie, premiering December 12, 2025, on Apple TV. | Image: Apple TV
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Dior Men’s Winter Collection 2025–2026 Might Be the Best Fashion Show of the Year So Far

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  • Dior Men’s Winter Collection 2025–2026 was presented at Paris Fashion Week under Kim Jones’s direction.
  • The show was held at the École Militaire in Paris and showcased a mix of men’s couture and ready-to-wear designs.
  • The collection is based on Christian Dior’s Ligne H silhouette first launched in Autumn–Winter 1954.
  • Archive references are reinterpreted with precise tailoring, balanced volume, and a distinctly modern menswear perspective.

Paris Fashion Week has always shown a strong personality, but this season brought a different type of energy. Instead of pushing harder for novelty, the mood shifted towards reflection, restraint, and a renewed respect for the foundations of fashion. After years of constant experimentation and visual noise, the industry seemed ready to slow down — and that change was felt most clearly at Dior. For Kim Jones, the answer wasn’t reinvention for its own sake, but refinement: a controlled palette, a disciplined silhouette, and a clear dialogue with the past.

Unveiled at the École Militaire in Paris, Dior Men’s Winter 2025–2026 collection draws inspiration from Christian Dior’s Ligne H from Autumn–Winter 1954 as its starting point. Jones captures the bold, architectural style of that period and interprets it into a distinctly masculine form, moving away from ambiguity and towards structure, clarity, and purpose. Instead of embracing gender fluidity or theatrical flair, the collection exudes confidence in its direction, demonstrating that revisiting the past — when done intentionally — can be one of the most contemporary strategies fashion can adopt.

The idea of metamorphosis quietly weaves through the collection, influencing how Dior approaches menswear across generations rather than tying it to a single moment in time. Ligne H becomes the natural reference point for that discussion, offering a way to trace how structure and masculinity have changed while maintaining their core discipline. For Jones, the archive isn’t something to imitate, but something to reflect on — a framework that allows the past to inform the present with clarity.

As he put it, “Mr Dior’s Ligne H was in our heads even before going into the archive this season. It has elements that are graphic and angular, which felt eminently transferrable into the men’s world.” Those qualities influenced the direction of a collection focused on restraint and purpose.

That same sense of continuity carries through to the way the collection is presented on the runway, where men’s couture and ready-to-wear exist side by side without hierarchy or separation. The distinction between the two seems almost unnecessary, as craftsmanship and everyday dressing are treated as part of the same conversation. Traditional overcoats emerge as key pieces, especially those in pinstripe and herringbone, with their rigid silhouettes projecting a controlled, confident masculinity. There’s a quiet certainty in that stiffness, one that prefers form and precision over excess.

Jones’ long-standing dialogue with Dior’s womenswear archive continues here, but always with restraint. The belted, full-shaped Opera coat — from the post-war Ligne H womenswear collection — is subtly reworked, maintaining its volume while naturally fitting into the male wardrobe. Instead of feeling like a gesture or provocation, the transformation appears measured and thoughtful, highlighting that heritage can be modernised without spectacle. By keeping things pared back, Dior lets the strength of the silhouette speak for itself.

Dior Men’s Winter 2025-2026 Collection | Image: Dior

In many ways, the Winter 2025–2026 collection feels like a deliberate pause — a moment when Dior steps back from superficial reinvention and instead examines the foundations of menswear. The references span across centuries, tracing the gradual shift from the ornate excess of the eighteenth century to the cleaner, more utilitarian forms that define modern dress. Rather than leaning into nostalgia, the collection uses history as a framework to better understand where menswear stands today.

Kim Jones articulates that intent clearly. “We believed it was time to focus on Mr Dior again. We wanted to go back to the roots and concentrate on the quintessence of the house,” he continued. “There is a sense of fashion history, particularly the history of menswear, running through this collection. The shift from something quite ornate and extravagant in the eighteenth century to something more linear and utilitarian in the nineteenth, with the beginnings of modern menswear. Yet, while a lot refers to the history of fashion, this is not historical fashion. Ultimately, in this collection, we wanted to say something about now.”

That balance between past and present shapes the collection’s view of modern masculinity. Throughout the runway show, the setting itself echoed that duality: a glowing white staircase descending onto a stark, minimalist black floor. The figure of Casanova hovered as a quiet reference point, embodying a fusion of masculine and feminine influences. Instead of excess or performance, it suggested confidence, elegance, and self-awareness — a modern ‘ladies’ man’ informed equally by women’s haute couture and men’s ready-to-wear.

Dior Men’s Winter 2025-2026 Collection | Image: Adrien Dirand

Softer details are essential in balancing the collection’s sharper lines. Satin bows recur throughout, softening the overall tailoring, while detailed glass-bead embroidery—originally inspired by Monsieur Dior’s Spring–Summer 1948 Pondichéry haute couture look—adds lightness and texture. This embroidery reappears on the pink robe that concludes the show, serving as a subtle focal point rather than an embellishment, with its influence also evident in the jewelry, where craftsmanship reflects the same delicate precision.

Accessories and footwear continue that dialogue between structure and refinement. Leather goods arrive with purposeful, masculine hardware, paired with classic men’s dress shoes and the highly polished Dior Palmarés boots. The footwear offering concludes with a special-order hybrid trainer, hand-stitched and finished with archival shoe embroidery from 1961—a small but telling detail. Taken as a whole, the collection reinforces a simple truth: when it comes to reinterpreting the past with care and restraint, Kim Jones’s eye for detail remains unmatched. While this season’s approach feels more focused than recent outings, the spirit of cross-pollination — between eras, disciplines, and identities — is still very much intact.

Dior Men’s Winter 2025-2026 Collection | Image: Dior
Dior Men’s Winter 2025-2026 Collection | Image: Dior
Dior Men’s Winter 2025-2026 Collection | Image: Dior
Dior Men’s Winter 2025-2026 Collection | Image: Dior
Dior Men’s Winter 2025-2026 Collection | Image: Dior
Dior Men’s Winter 2025-2026 Collection | Image: Dior
Dior Men’s Winter 2025-2026 Collection | Dior
Dior Men’s Winter 2025-2026 Collection | Image: Dior
Dior Men’s Winter 2025-2026 Collection | Dior
Dior Men’s Winter 2025-2026 Collection | Image: Dior
Dior Men’s Winter 2025-2026 Collection | Image: Dior
Dior Men’s Winter 2025-2026 Collection | Dior
Dior Men’s Winter 2025-2026 Collection | Dior
Dior Men’s Winter 2025-2026 Collection | Image: Dior
Dior Men’s Winter 2025-2026 Collection | Dior
Dior Men’s Winter 2025-2026 Collection | Image: Dior
Dior Men’s Winter 2025-2026 Collection | Image: Dior
Dior Men’s Winter 2025-2026 Collection | Dior
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