Movies & TV Shows

The Rock Cooks in a Brutal Beating in Benny Safdie’s ‘The Smashing Machine’

Reading Time: 6 minutes

Share via

Our team of editors and experts thoughtfully chooses each product. If you decide to buy through one of our links, we may earn a commission. Learn more. Want to know how we test products? Click here for more details.

It usually starts the same way with bright lights, a full arena, and a fighter walking out as if nothing can stop him. For years, that’s the side of Dwayne Johnson people have seen on screen. ‘The Smashing Machine’ changes that almost right away, and this time, it’s not about being unbeatable. It’s about what happens when everything goes wrong.

Directed by Benny Safdie, the film depicts a period in Mark Kerr’s life when success and pressure kept growing without relenting. Instead of making things simple or easy to watch, it focuses on the messy parts: the burden of expectations, habits that develop over time, and moments when things fall apart. It’s calmer and more down-to-earth, and that change lets Johnson do something that feels much more real than what people usually see from him.

Dwayne Johnson as Mark Kerr in ‘The Smashing Machine’ | Image Credit: Cheryl Dunn

A Different Kind of Direction

There’s a certain edge to the way Benny Safdie handles this film, and if you’ve seen Uncut Gems or Good Time, you can feel that same restless energy right away. The camera rarely settles, and even in quieter moments, there’s this constant sense that things could fall apart at any second.

A lot of this feeling comes from the way the movie is shot. The camera stays close, but not always where you’d expect, especially during the fight scenes. Rather than putting you right in the action, it keeps you just outside, surrounded by the noise and movement around the ring. It feels messy in a natural way, and that makes it a little tougher to watch, but in a good way.

What stands out most is what the film chooses to focus on. This isn’t a story about big wins or moments of victory. Instead, it spends more time on what happens after, in the quiet moments when things slow down and reality sets in. That shift changes how you watch the movie. You’re not waiting for a comeback or a big win—you’re watching someone deal with what comes next. That’s where the film finds its meaning, and it feels more honest than most stories like this.

The acting and setting have a rough quality that makes everything feel more immediate, almost as if you’re seeing something you’re not supposed to. This adds tension without the film needing to push it. The movie doesn’t explain everything or guide you through each moment, and that actually helps. It lets you stay with what’s happening instead of hurrying you along.

Dwayne Johnson as Mark Kerr in ‘The Smashing Machine’ | Image Credit: Eric Zachanowich

A Role Built From the Inside Out

A big part of what makes ‘The Smashing Machine’ work is how much Dwayne Johnson transforms into the character. You notice the physical changes right away, like his weight and appearance, but it’s the little things that really sell it. He moves differently, carries himself as if he’s heavier, and even his breathing sounds laboured, as if the character is always tired. Since he did all the training and physical challenges himself, without using doubles, the intense scenes feel even more authentic.

The film puts more attention on the characters than on big action scenes, which sets it apart from most sports movies. Like A24’s ‘The Iron Claw’, it cares less about wins and more about what happens off the field. Rather than telling Mark Kerr’s entire life story, it focuses on a specific period, letting the story develop at its own pace without feeling rushed or overloaded with details.

This tighter focus helps the film’s heavier themes feel more natural. It doesn’t overdramatize or push emotions too hard, especially when dealing with addiction and its patterns. The movie lets those moments speak for themselves, and that restraint gives the performances greater impact as the story unfolds

Dwayne Johnson & Emily Blunt in ‘The Smashing Machine | Image Credit: Eric Zachanowic

When The Fight Leaves the Ring

The way the relationship plays out feels as intense as anything in the ring. Benny Safdie doesn’t soften those moments or treat them as background to the main story. He pushes them forward with the same energy, turning their home into a setting that carries its own tension. The arguments don’t feel staged or exaggerated. They feel messy, uncomfortable, and a bit too real, shifting the film’s atmosphere in a way that’s hard to ignore.

That’s where Emily Blunt really comes through. She doesn’t play Dawn Staples as someone trying to keep things together or steer Kerr back on track. Instead, she faces that energy directly, reacting, pushing back, and sometimes feeling just as unpredictable. This makes their relationship feel more equal. Her performance feels fresh and natural. Instead of standing aside, she becomes just as important to the story’s impact as everything else happening around them.

Dwayne Johnson as Mark Kerr in ‘The Smashing Machine’ | Image Credit: Eric Zachanowich

The Final Bell

As mentioned before, ‘The Smashing Machine’ isn’t your typical sports movie, and that’s what makes it stand out. It focuses on personal struggles, showing how pressure, addiction, and self-destruction affect the body, mind, and the people around. The film quietly honours the early days of MMA, highlighting what fighters faced before the sport grew into what it is today, when risks were high, and rewards didn’t always follow.

The film does a great job creating its world, paying close attention to details. The costumes, sets, and music help place it in the late ’90s and early 2000s, but it never feels fake or over-the-top. Visually, the movie shifts from a rough, almost old footage style to a sharper, more polished look, quietly changing the mood as the story goes on.

What really holds everything together, though, is the balance between Dwayne Johnson and Emily Blunt, because beneath everything, the film keeps returning to something simple. The biggest moments don’t always happen in the spotlight, and the hardest fights aren’t always the ones people are watching, which is what gives the story its punch.

IMDb: 6.3 | Tomatometer: 71% | Popcornmeter: 73% | Average: 69

★★★★☆

Movies Review
About the Author

Related Articles

Watches

Patek Philippe’s First Stainless-Steel Perpetual Chronograph is Headed to Auction

Reading Time: 4 minutes

Our team of editors and experts thoughtfully chooses each product. If you decide to buy through one of our links, we may earn a commission. Learn more. Want to know how we test products? Click here for more details.

  • A stainless-steel Patek Philippe Ref. 1518 will headline Phillips in Association with Bacs & Russo this November in Geneva.
  • The watch is one of just four known steel Ref. 1518 examples, widely regarded as the rarest configuration of this landmark reference.
  • The same piece set the watch world alight in 2016 when it achieved over CHF 11 million, becoming the first wristwatch to cross the eight-figure barrier at auction.
  • It will return to the rostrum as part of the Decade One (2015–2025) anniversary sale, carrying an estimate above CHF 8 million.

A stainless-steel Patek Philippe perpetual calendar chronograph set for auction is more than just another highlight—it’s a historic event. This November, Phillips and Bacs & Russo will present a watch so rare that Phillips Deputy Chairman Alexandre Ghotbi stated it “belongs in the same conversation as a Ferrari 250 GTO or a Rothko.” That comparison says a lot about its significance. The watch in question is the historic Patek Philippe Ref. 1518, first introduced in the early 1940s during World War II. It was the first wristwatch to combine a perpetual calendar with a chronograph, a breakthrough that forever altered the world of complicated watchmaking.

What makes this watch unique is its material. Out of approximately 218 Ref. 1518 watches produced, nearly all were in yellow gold. Only four are known to be in stainless steel, and this is one of them. For Patek Philippe collectors, steel versions of complex models are nearly legendary, making ownership extremely rare. This November’s auction is not just about selling a rare watch—it signifies an important milestone in watchmaking history.

Patek Philippe Perpetual Calendar Chronograph Ref. 1518 | Image: Phillips Auctions

The stainless-steel Patek Philippe Ref. 1518 returning to auction is not venturing into unfamiliar territory. This very piece already made history in 2016 when Phillips hammered it down for CHF 11 million, roughly USD $11 million at the time. The USD $17.8 million sale of Paul Newman’s Rolex Daytona Ref. 6239 a year later was one of the headline-grabbing results that followed, marking a pivotal moment in the modern watch auction scene. For many collectors, it was a unique period when authentic “unicorn” pieces appeared.

The same steel 1518 is expected to sell for between CHF 8 million and CHF 16 million this November as it returns to the auction block. Although high-end auctions can be unpredictable, that range broadly covers various outcomes. Still, the watch has a strong foundation due to its excellent condition, near-mythical rarity, and proven track record. Bidding at this level is influenced by both figures and legacy, as well as confidence. Once the auction room settles, the question will be how far someone is willing to go to acquire one of the rarest Patek Philippes ever made.

Patek Philippe Perpetual Calendar Chronograph Ref. 1518 | Image: Phillips Auctions

Few watches hold the same level of significance as this stainless-steel Patek Philippe Ref. 1518. It is not just rare; it’s the kind of piece collectors talk about for years. Its previous appearance at auction shifted the market’s tone, and now, as it returns to the stage, there is a real sense that something important is about to happen again. But we’ll see how it goes in the upcoming days.

“Just four stainless-steel Patek Philippe reference 1518s are publicly known today. Each one is extraordinary. This is the one that captured the world’s attention in 2016,” said Aurel Bacs, senior consultant, Phillips in Association with Bacs & Russo.

“It redefined the market and ushered in a new era in watch collecting. For seasoned collectors and newcomers alike, its return to auction marks a moment of rare opportunity – making it the perfect watch to headline our 10th anniversary auction in Geneva this November.”

Of the four known steel examples, this particular watch is thought to be the first one produced, which only adds to its significance. It will headline the Decade One (2015–2025) sale organized by Phillips in collaboration with Bacs & Russo, and it is estimated to fetch around CHF 8,000,000, roughly USD $10.5 million. In a market where prices can rise quickly once bidding starts, that figure might just be the beginning of what could turn into another historic moment.

Patek Philippe Perpetual Calendar Chronograph Ref. 1518 | Image: Phillips Auctions
Patek Philippe
About the Author
arrow_drop_up