Midnight Jour Nuit Phase de Lune Ref. VCARPESA00
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Van Cleef & Arpels Looks to the Stars With Its Poetry of the Heavens Collection

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For decades, the Parisian Maison has looked beyond traditional hands and hour markers, turning to planets, constellations, the Sun and the Moon for inspiration. That fascination with the night sky stretches deep into its history, including a moon-phase pocket watch created in 1929, and in 2026, Van Cleef & Arpels is once again looking upwards with a collection devoted to what it beautifully describes as the “poetry of the heavens.”

At the centre of that celestial story are two very different Midnight creations. The Midnight Jour Nuit Phase de Lune transforms the movement of the Sun and Moon into a miniature spectacle on the wrist, while the Midnight Heure d’ici & Heure d’ailleurs turns the practical idea of following two time zones into something considerably more romantic. While some watchmakers simply measure time, Van Cleef & Arpels prefers to tell stories with it — giving you another reason to look down at your wrist and, strangely enough, find yourself thinking about the sky.

Midnight Jour Nuit Phase de Lune Ref. VCARPESA00
Midnight Jour Nuit Phase de Lune Ref. VCARPESA00 | Image: Supplied / Van Cleef & Arpels

Midnight Jour Nuit Phase de Lune

Van Cleef & Arpels has been looking to the Moon for inspiration for almost a century, having created a moon-phase pocket watch as far back as 1929. The new Midnight Jour Nuit Phase de Lune brings that fascination into the Maison’s Poetic Complications collection with a 42mm white-gold watch that combines its signature Jour/Nuit display with an astronomical moon phase. Across the deep black Murano aventurine glass dial, a guilloché yellow-gold Sun pursues a white mother-of-pearl Moon through a glittering night sky, turning something as ordinary as checking the time into a miniature celestial scene.

The beauty of the dial is that it is constantly changing, with two overlapping rotating discs moving at different speeds — the first completes its journey every 24 hours, carrying the Sun through the day/night display, while the second rotates once every 24 hours, 16 minutes and 27 seconds. Working together, they reproduce the Moon’s changing appearance throughout its lunar cycle, so what you see on the wrist reflects the phase of the Moon above rather than serving as decoration alone.

Midnight Jour Nuit Phase de Lune Ref. VCARPESA00
Midnight Jour Nuit Phase de Lune Ref. VCARPESA00 | Image: Supplied / Van Cleef & Arpels
Midnight Jour Nuit Phase de Lune Ref. VCARPESA00
Midnight Jour Nuit Phase de Lune Ref. VCARPESA00 | Image: Supplied / Van Cleef & Arpels
Midnight Jour Nuit Phase de Lune Ref. VCARPESA00
Midnight Jour Nuit Phase de Lune Ref. VCARPESA00 | Image: Supplied / Van Cleef & Arpels

There is also a little theatre hidden inside. Pressing the pusher on the case activates an on-demand animation, allowing the Moon to emerge and reveal its current phase even when it would normally be hidden during the daytime display. Making all of this work was no small exercise either: Van Cleef & Arpels says the astronomical movement was developed entirely by its watchmaking workshops in Geneva and required four years of development.

Turn the watch over, and the story changes perspective through the caseback, which depicts a stylized lunar landscape, while an enamel Earth appears through the sapphire crystal above the automatic movement, creating the impression of looking back towards our planet from the surface of the Moon. It’s a beautiful finishing touch, and perhaps the best explanation of what Van Cleef & Arpels means by Poetry of the Heavens: this is serious mechanical watchmaking, but the mechanics are there to tell a story rather than become the story themselves.

Midnight Jour Nuit Phase de Lune  Ref. VCARPESA00
Midnight Jour Nuit Phase de Lune Ref. VCARPESA00 | Image: Supplied / Van Cleef & Arpels
  • Brand: Van Cleef & Arpels
  • Model: Midnight Heure d’ici & Heure d’ailleurs watch
  • Reference: VCARPESA00
  • Diameter: 42 mm
  • Thickness: 14.51 mm
  • Material: 18K White Gold
  • Dial: Black Murano Aventurine Glass, White Mother-of-Pearl & Yellow Gold
  • Strap/Bracelet: black satin-finished alligator with white gold folding buckle
  • Calibre: Automatic mechanical movement
  • Power Reserve: 36 Hours
  • Water-Resistance: 3 Bar (30 metres, 100 feet)
  • Price: Upon Request
Van Cleef & Arpels Midnight Heure d’ici & Heure d’ailleurs Ref. VCARPEVI00
Van Cleef & Arpels Midnight Heure d’ici & Heure d’ailleurs Ref. VCARPEVI00 | Image: Supplied

Midnight Heure d’ici & Heure d’ailleurs

The Midnight Heure d’ici & Heure d’ailleurs may be the quieter of Van Cleef & Arpels’ two new Midnight creations, but there’s something particularly elegant about the way it approaches a travel watch. Housed in a more compact 38mm rose-gold case, it displays two time zones through separate apertures: Heure d’ici — “time here” — appears at the top of the dial, while Heure d’ailleurs — “time elsewhere” — sits below. Rather than relying on the familiar GMT hand, the watch uses synchronized jumping-hour displays and a retrograde minute hand, allowing both locations to be read in a clean and surprisingly unconventional way.

The dial is where Van Cleef & Arpels brings some of its jewellery-making character into the equation. Embossed brown enamel changes between warmer and cooler tones depending on the light, while a radiating guilloché-style pattern grows outward from a central piqué motif inspired by the Maison’s hallmark. Polished and satin-finished rose gold provides the contrast, and even the asymmetric placement of the displays and flowing script feels deliberate. It’s considerably less theatrical than the celestial display of the Phase de Lune, but that restraint suits a watch intended to make travelling between two parts of the world feel a little more romantic.

There’s one final celestial touch waiting on the back, where Van Cleef & Arpels has engraved a Moon illuminated by a guilloché Sun, tying the travel-focused watch back into the wider Poetry of the Heavens theme. And we rather like the contrast between these two Midnight releases: the Phase de Lune asks you to look towards the sky, while the Heure d’ici & Heure d’ailleurs looks across the world instead. It’s a simpler proposition mechanically, but for someone who regularly travels between time zones, it may actually be the more practical watch of the pair.

Van Cleef & Arpels Midnight Heure d’ici & Heure d’ailleurs Ref. VCARPEVI00
Van Cleef & Arpels Midnight Heure d’ici & Heure d’ailleurs Ref. VCARPEVI00 | Image: Supplied
  • Brand: Van Cleef & Arpels
  • Model: Midnight Heure d’ici & Heure d’ailleurs watch
  • Reference: VCARPEVI00
  • Diameter: 38 mm
  • Thickness: 14.51 mm
  • Material: 18K Rose Gold
  • Dial: Brown enamel with sunray & piqué guilloché patterns
  • Strap/Bracelet: Black alligator leather strap with rose gold pin buckle
  • Calibre: Automatic mechanical movement
  • Power Reserve: 65 Hours
  • Water-Resistance: 3 Bar (30 metres, 100 feet)
  • Price: Upon Request

What Do We Think of the Poetry of the Heavens Collection?

For us, these two watches show exactly why Van Cleef & Arpels deserves to be taken seriously as a watchmaker, not simply a jewellery house that also makes watches. There are plenty of complicated watches that impress you with numbers, but the Midnight Jour Nuit Phase de Lune does something harder — it makes the complication feel emotional. Watching the Sun chase the Moon across that aventurine sky, knowing there is a four-year-developed astronomical mechanism underneath it all, is the sort of detail that makes you want to stop and actually look at your watch rather than simply check the time.

If we had to choose one, the Phase de Lune would be our pick without much hesitation. The Midnight Heure d’ici & Heure d’ailleurs is arguably the more wearable and useful of the two, especially for frequent travellers, and we love the way it makes a dual-time complication look genuinely elegant rather than overly technical. But the Phase de Lune is the watch we would remember. It feels less like another luxury timepiece and more like a tiny piece of the night sky sitting on your wrist, which is probably the best compliment we can give a collection built around the Poetry of the Heavens.

Van Cleef & Arpels
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‘HIM’ Review: Throws a Hail Mary That Almost Reaches the Touchdown

Reading Time: 6 minutes

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Take the pressure of professional football, strip it down to its rawest form, and push it into something darker. That’s where HIM lives. Backed by Monkeypaw Productions, the studio behind some of the most talked-about horror in recent years, this isn’t your typical sports story. It plays with ambition, obsession, and the idea that greatness might come at a cost higher than anyone is willing to admit out loud.

At its core, the film leans into a simple yet sharp idea: what if chasing greatness meant giving up more than time, energy, or even your body? It’s a concept that feels familiar at first, especially in a world where athletes are pushed to their limits. But HIM takes that idea and stretches it into something far more unsettling. The line between discipline and sacrifice blurs, and before long, it’s unclear where one ends and the other begins.

That kind of premise carries expectations. When a film sets itself up this boldly, it dares you to expect something groundbreaking. That’s where things get interesting. HIM doesn’t always land cleanly, but it doesn’t play it safe either. It swings hard, leans into the chaos, and keeps pushing even as things start to unravel. It’s not polished or restrained, but that’s part of what makes it worth watching.

Cameron Cade, played by Tyriq Withers in ‘HIM’ | Image: Universal Pictures

Chasing Greatness, Paying the Price

Imagine if the beautiful game lost its shine and decided to bare its teeth. HIM is a twisted dive into the world of pro football, where the stakes go far beyond trophies and fame. Here, you risk your sanity, your soul, and maybe even more. Monkeypaw Productions—yes, the same folks who turned everyday fears into nightmares—are behind this one, so you can forget about underdog comebacks or locker-room pep talks. Instead, the film explores ambition with claws and obsession that refuses to let go. It reminds you that greatness just might chew you up if you are not careful about what’s going on.

Isaiah White, played by Marlon Wayans in ‘HIM’ | Image: Universal Pictures
Isaiah White, played by Marlon Wayans in ‘HIM’ | Image: Universal Pictures

This film poses a tough question. How much would you really give to be the best? HIM starts out like a classic sports story, full of sweat, sacrifice, and relentless training, but then cracks that familiar mould wide open. What begins as discipline quickly curdles into obsession, and the cost of greatness becomes a debt you might not want to pay. Lines blur, reality slips, and suddenly you realize chasing glory can get downright terrifying.

With a premise this wild, HIM does more than invite expectations; it sets them. It dares you to see what happens next. Yes, it is messy, and not every risk pays off, but that is the thrill. This film does not tiptoe around big ideas. Be ready to have your teeth bared and your heart pounding from how raw it gets, because some of these stories are unforgettable, especially with a film this raw that refuses to play by the rules.

Cameron Cade, played by Tyriq Withers in ‘HIM’ | Image: Universal Pictures

Fourth Quarter Violence

From the start, HIM makes it clear that Justin Tipping isn’t here to play it safe. There’s a reckless confidence in the film’s pacing, as if it knows exactly how far it wants to go and doesn’t care if it makes people uncomfortable. The violence isn’t hidden or toned down. It’s in your face. At times, the film almost seems to enjoy pushing that boundary to see how far it can go.

How well it works depends on your tolerance. Some viewers may find it excessive, while others will accept the intensity. Either way, the film leaves little room for interpretation. Religious imagery is overt, symbolism unmistakable, and even the team name—Saviors—makes the story’s intentions clear. There’s nothing subtle or gradual. The film grabs you immediately and demands your attention.

Beneath all this, something more authentic tries to break through. Like Get Out, the film examines how people are exploited for their abilities, especially within systems designed to benefit others. Football becomes the lens, exposing how young athletes are pushed to their limits and moulded into cogs in a larger machine. When HIM focuses on this angle, it feels incisive and honest. But subtlety doesn’t last. The film often hits its message too hard, at times prioritizing impact over letting its themes resonate.

Cameron Cade, played by Tyriq Withers in ‘HIM’ | Image: Universal Pictures

The Touchdown

HIM keeps coming back to one simple question—how far are you willing to go to be the best? The film explores not only the training and the grind but also everything that comes with the pursuit. There is a psychological weight to how it leans into this space. Rather than offering easy explanations, it sits with the pressure and refuses to give a clean answer. The film places you in the moment and lets it linger, uncomfortable yet impossible to ignore. Even as the story begins to lose focus, that central idea continues to hold it together.

Jordan Peele’s influence is evident in the background, especially in how the film explores larger themes, but it never follows the same path. HIM takes its own shot and embraces both its successes and its stumbles. That willingness to go for it, even when it does not always land, is part of its appeal. Imperfection is what makes it compelling, and it never chooses the safe route.

IMDb: 5.0 | Tomatometer: 31% | Popcornmeter: 56% | Average: 45.6

★★★☆☆

Isaiah White, played by Marlon Wayans, and Cameron Cade, played by Tyriq Withers, in ‘HIM’ | Image: Universal Pictures

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