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The 97th Academy Awards brought Hollywood’s biggest names together for a night of glamour, laughter, and some astonishing wins. Conan O’Brien made his hosting debut with a clever monologue that teased everyone from Timothée Chalamet to the Sandworm from Dune: Part Two, while also honouring past Oscar hosts. But as always, the focus was on the winners.
Anora dominated the night, winning five of its six nominations, including Best Picture, Best Director, Best Editing, and Best Original Screenplay. Mikey Madison was amazed with a Best Actress award, Adrien Brody took home Best Actor for The Brutalist, and supporting awards went to Kieran Culkin (A Real Pain) and Zoe Saldaña (Emilia Pérez). Other highlights included Wicked, Emilia Pérez, and Dune: Part Two, each leaving an impression on the ceremony. With a mix of heartfelt speeches, big laughs, and performances that kept the crowd energized, the 2025 Oscars once again demonstrated why it’s Hollywood’s most celebrated night.
Now, let’s look at all the winners from Hollywood’s biggest night.
Best Picture
Anora: WINNER
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
I’m Still Here
Nickel Boys
The Brutalist
The Substance
Wicked
Best Director
Sean Baker – Anora: WINNER
Brady Corbet – The Brutalist
James Mangold – A Complete Unknown
Jacques Audiard – Emilia Pérez
Coralie Fargeat – The Substance
Best Actor
Adrien Brody – The Brutalist: WINNER
Timothée Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Sebastian Stan – The Apprentice
Best Actress
Mikey Madison – Anora: WINNER
Cynthia Erivo – Wicked
Karla Sofía Gascón – Emilia Pérez
Demi Moore – The Substance
Fernanda Torres – I’m Still Here
Best Actor in a Supporting Role
Kieran Culkin – A Real Pain: WINNER
Yura Borisov – Anora
Edward Norton – A Complete Unknown
Guy Pearce – The Brutalist
Jeremy Strong – The Apprentice
Best Actress in a Supporting Role
Zoe Saldaña – Emilia Pérez: WINNER
Monica Barbaro – A Complete Unknown
Ariana Grande – Wicked
Felicity Jones – The Brutalist
Isabella Rossellini – Conclave
Best Original Screenplay
Anora – Sean Baker: WINNER
A Real Pain – Jesse Eisenberg
September 5 – Moritz Binder & Tim Fehlbaum
The Brutalist – Brady Corbet & Mona Fastvold
The Substance – Coralie Fargeat
Best Adapted Screenplay
Conclave – Peter Straughan: WINNER
A Complete Unknown – James Mangold & Jay Cocks
Emilia Pérez – Jacques Audiard, Thomas Bidegain, Léa Mysius & Nicolas Livecchi
Elias Albay is the Founder and Director of Many Men Magazine, a Toronto-based digital publication dedicated to promoting modern masculinity through style, culture, and self-improvement. What started as a personal turning point became a purposeful platform. — born from Elias’ desire to create something meaningful after completing his studies and finding no career path that truly matched his ambitions. With a background in Civil Engineering from York University and experience in Commercial Flight Operations at CAE, he applied skills, and resilience from both fields to forge a new path.
Our team of editors and experts thoughtfully chooses each product. If you decide to buy through one of our links, we may earn a commission. Learn more. Want to know how we test products? Click here for more details.
Most people watch the Super Bowl for the touchdowns, the halftime show, and commercials. What they don’t see is the enormous amount of technology required to deliver every tackle, replay, celebration, and slow-motion shot to more than 100 million viewers worldwide.
Behind every camera angle and crystal-clear broadcast is a small army of engineers, producers, camera operators, and technicians working together to make sure football’s biggest game reaches your screen without a hitch.For Super Bowl LX, Sony once again played a major role in making that happen. From professional broadcast cameras and lenses to advanced replay systems and tracking technology, the company supplied much of the equipment used to capture the action inside Levi’s Stadium.
Here’s a closer look at the Sony gear, systems, and behind-the-scenes innovations helping bring the biggest sporting event in America to life.
Patriots’ quarterback Drake Maye featured in Sony’s High-Frame-Rate (HFR) footage | Image: Sony
The Biggest Broadcast in Sports
Calling the Super Bowl a football game almost feels like underselling it. Every year, it becomes one of the most-watched television broadcasts on the planet, attracting more than 100 million viewers in the United States alone, with millions more tuning in from around the world. For a few hours, the game becomes the centre of the sporting universe, bringing together die-hard NFL fans, casual viewers, advertisers, celebrities, and even people who couldn’t tell you the difference between a touchdown and a field goal.
That level of attention comes with enormous pressure behind the scenes. Unlike a regular-season game, there are no second chances when you’re broadcasting the Super Bowl. Every camera angle, replay, graphic, player introduction, halftime performance, and post-game celebration needs to be captured flawlessly in real time. It’s one of the most complex live productions in sports, requiring hundreds of cameras, miles of cabling, dozens of production teams, and enough technology to rival a Hollywood film set. When more than 100 million people are watching at once, “good enough” simply isn’t good enough.
Sony Alpha 1 Mirrorless Cameras | Image: Sony
Why the NFL Turned to Sony
Producing the biggest television broadcast in America leaves almost no room for error. Each replay must be clear; every slow-motion shot should show details viewers might miss; and every important decision must be backed by reliable technology. That’s one of the main reasons the NFL officially partnered with Sony, naming the company its official technology partner and using its products and services across many aspects of the game.
Sony’s Hawk-Eye technology supports NFL officiating by providing advanced optical tracking and replay systems that assist with game-critical decisions. The company is also working with the league to develop next-generation line-to-gain measurement systems, helping officials make more accurate calls during some of the most important moments of a game. On the sidelines, Sony technology powers new coach communication systems, while its Beyond Sports division helps transform player-tracking data into interactive visual experiences designed to engage a new generation of football fans.
Perhaps what’s most impressive from Sony is how deeply it has embedded itself throughout the NFL ecosystem. Its cameras have been trusted by broadcast partners including CBS, FOX, NBC, and ESPN for decades now, while The Associated Press has relied exclusively on Sony imaging equipment for NFL coverage since 2020.
According to Neal Manowitz, President and CEO of Sony Electronics North America, the company’s goal extends well beyond simply supplying equipment. “We are committed to creating the future of sports with technology, and constantly driving innovation to positively impact the world of athletics for players, coaches and fans alike,” he said. It’s a vision that closely aligns with the NFL’s push to modernize everything from officiating and coaching communication to fan engagement.
Manowitz also said that Sony is now involved in professional photography, broadcast production, advanced line-to-gain tracking, and better in-stadium experiences. “This partnership stems from years of integration into the NFL across these many different areas, and we are excited to officially join forces and pursue our passions together with one of the largest sports organizations in the world.” When viewers watch the Super Bowl, they are seeing not just a football game but one of the most advanced live productions in sports.
NFL Coach Matt LaFleur is using Sony’s league-issued headset on game day | Image: Sony
The Sony Technology Behind the Super Bowl
Sony’s role at Super Bowl LX extends far beyond supplying a few cameras around the stadium. In what the company describes as its most advanced Super Bowl presence to date, Sony’s technology will touch almost every aspect of the game, from coach communication and officiating to player tracking, photography, and the live broadcast itself.
One of the biggest highlights this year is the first time Sony’s NFL Coach’s Headsets will be used at the Super Bowl. These headsets, introduced across the league at the start of the 2025 season, are based on Sony’s 1000X headphone series and have been redesigned to meet the NFL’s requirements. They provide clear communication even in noisy stadiums, helping coaches and staff stay connected during important moments, regardless of noise or weather.
Sony is also making a big impact with its cameras. Over 175 Sony cameras will be set up around Levi’s Stadium on game day, including top broadcast cameras, high-speed systems, Alpha 1 II and Alpha 9 III models, and G Master lenses. NBC Sports, the Associated Press, NFL photographers, and production crews will use these cameras to capture everything from touchdowns to the emotional moments that define the Super Bowl.
Sony’s Hawk-Eye technology will be used at the Super Bowl for the first time as part of the NFL’s new Virtual Measurement system, helping officials make faster and more accurate first-down calls. Sony is also providing replay and video review tools, along with its advanced SkeleTRACK system. This system tracks 29 points on each player and works with ball-tracking technology to create one of the most advanced player-monitoring setups ever seen in pro football.
Sony Imaging Pro Support Room | Image: Sony
Sony Imaging Pro Support Room | Image: Sony
“Our partnership with the NFL is built on a shared commitment to innovation,” said Theresa Alesso, President of Imaging Products and Solutions Americas at Sony Electronics. “This year’s Super Bowl reflects how Sony technologies work together through data, communication, and imaging to support every moment of the game, from the field to the broadcast to the fan experience.”
Broadcasters who bring the game to fans everywhere share this confidence. “As the biggest game and the most-watched show of the year, the Super Bowl production requires tools we can trust,” said Ken Goss, NBC Sports EVP of Studio and Remote Operations. “Working with Sony allows us to flawlessly deliver every angle, replay and on-field moment to viewers watching around the world.” For millions of viewers at home, everything looks seamless. For the teams behind the scenes, it is the result of years of innovation coming together on one Sunday night.
Hawk-Eye’s SkeleTRACK System | Image: Sony
Inside Hawk-Eye’s SkeleTRACK System
While cameras capture what fans can see, Sony’s Hawk-Eye SkeleTRACK system focuses on everything they can’t. Making its Super Bowl debut this year, the technology creates a detailed digital model of the action on the field by tracking 29 points on every player, along with real-time 3D tracking of the football itself. The result is a remarkably accurate view of player movement, positioning, speed, and ball location throughout every snap.
The system works alongside Zebra Technologies’ RFID tracking technology to provide the NFL with one of its most advanced player-tracking environments to date. Beyond helping broadcasters tell a better story, the technology gives the league deeper insights into how plays develop, how players move through space, and how key moments unfold in real time. It also supports officiating and game analysis by providing another layer of precision when split-second decisions matter most.
Most of this technology works quietly in the background for people watching at home. Still, whether it’s creating new graphics, improving player stats, helping with replay analysis, or showing how a big play happened, SkeleTRACK is always working behind the scenes. It shows that today’s Super Bowl uses much more than cameras and commentators to bring fans closer to the game.
Sony Imaging Pro Support Room | Image: Sony
How Sony Captures Every Moment
Filming the Super Bowl takes much more than just aiming a camera and hitting record. Each touchdown celebration, hard tackle, coach’s reaction, and crucial replay must be caught from several angles at once. To pull this off, Sony has set up a wide range of imaging technology across Levi’s Stadium, building a network that can capture every moment of the game.
This setup goes well beyond regular broadcast cameras. Sony’s technology helps NBC Sports, the Associated Press, NFL photographers, in-stadium crews, and even the halftime show. From ultra-slow-motion replays and dramatic player introductions to sideline photos and aerial views, almost every angle you see on game day comes from Sony’s imaging system.
Here’s Full List of Sony Tech and Products used during the Super Bowl LX:
NBC Sports Broadcast Coverage:
35x Sony HDC-5500 system cameras
2x Sony HDC-4300 system cameras
6x Sony HDC-P50A POV cameras (including 4K units)
11x Sony HDC-P50 POV cameras
1x Sony HDC-P31 POV camera
3x Sony PXW-FX9 cinema cameras
2x Sony PMW-F55 cinema cameras
1x Sony ILME-FR7 PTZ camera
1x Sony BRC-AM7 PTZ camera
2x Sony ILX-LR1 aerial cameras
1x Sony HDC-P50 specialty camera
Halftime Show Production:
11x Sony VENICE 2 digital cinema cameras
3x Sony BURANO digital cinema cameras
1x Sony FR7 Cinema Line PTZ camera
Levi’s Stadium In-Venue Production:
Sony HDC-3500 UHD cameras
Sony HDC-5500 high-frame-rate cameras
Sony HDC-3500 RF wireless cameras
Sony ILME-FX3A shallow depth-of-field cameras
Sony E-mount lenses
Photography & Sideline Coverage:
Associated Press:
55 Sony camera bodies
80 lenses, 15 PDT-FP1 portable data transmitters
10 Sony UHD cameras:
HDC-3500 (hard positions)
HDC-5500 (HFR), HDC-3500 (RF wireless)
ILME-FX3A (RF shallow depth of field) with Sony’s E-mount lenses sideline & photography Support
NFL Focus Photography Team:
8 Sony cameras
20 lenses
Sony Imaging PRO Support:
45 Sony full frame mirrorless cameras
90 E-mount lenses
12 PDT-FP1 Portable data transmitters
PXW-Z200 camcorders
San Francisco Levi Stadium Super Bowl 50 L on February 7, 2016 | Image: Getty Images
What 100 Million Viewers Never See
While fans focus on the touchdowns, the halftime show, and dramatic moments, an enormous operation is underway behind the scenes. These operations are months in the making before the kickoff, with hundreds of engineers, producers, camera operators, photographers, replay technicians, and broadcast specialists already at work preparing the technology that will bring every moment of the game to screens around the world. Testing, tracking systems, and camera positions all need to manage live data feeds and instant replays; every detail needs to work flawlessly when the game begins.
Over 175 cameras, Hawk-Eye tracking technology, coach communication systems, photographers, and broadcast crews all work together in real time to create an experience that seems effortless for viewers at home. Most fans never think about the technology behind a replay of a game-winning touchdown or a perfectly timed slow-motion shot, and that’s the goal. When everything runs smoothly, the focus stays on the game, and the technology quietly supports it in the background.
By the time confetti falls and a new champion lifts the Lombardi Trophy, the cameras, tracking systems, and broadcast crews have quietly done their job—capturing the moments fans will remember for years. While it’s tempting to focus on the big plays and celebrations, none of it would be possible without the behind-the-scenes dedication and precision.
Elias Albay is the Founder and Director of Many Men Magazine, a Toronto-based digital publication dedicated to promoting modern masculinity through style, culture, and self-improvement. What started as a personal turning point became a purposeful platform. — born from Elias’ desire to create something meaningful after completing his studies and finding no career path that truly matched his ambitions. With a background in Civil Engineering from York University and experience in Commercial Flight Operations at CAE, he applied skills, and resilience from both fields to forge a new path.